C-HOP Festival 2019
The C-HOP Festival 2019 is sponsored by the Stanton Memorial Carillon Foundation and ISU Department of Music & Theatre.
Guest Artists:
Koen Cosaert, carillon Royal Carillon School "Jef Denyn", Mechelen, Belgium
Koen Cosaert is director of the Royal Carillon School “Jef Denyn”, one of the leading institutes for carillon art in the world under the Patronage of Her Majesty Queen Mathilde. Since 1987 Koen Cosaert has been teaching carillon, campanology, harmony and music theory at this institute. He has been visiting professor for carillon and campanology at the St.-Petersburg University in Russia from 2007 until 2016. He is carillonneur for the Belgian cities of Kortrijk, Roeselare, Harelbeke and Izegem. He performed carillon recitals and gave master classes all over Europe, Australia, Canada, Japan and the United States. As campanologist he lectures on topics of campanological interest and has published numerous books and articles. Koen Cosaert is vice-president of the Flemish Carillon Association (VBV) and has been secretary for the European Countries of the Executive Committee of the World Carillon Federation from 2011 until 2018.
Michael Elsbernd, organ St. John's Lutheran Church, Des Moines, Iowa
Michael Elsbernd is Director of Worship and Music at St. John’s Lutheran Church (ELCA) in Des Moines, Iowa, where he conducts the Cathedral Choir, String Scholars, and serves as principal organist. He is also a member of the adjunct faculty of Grand View University, where he teaches organ. A graduate of Luther College, Elsbernd earned a Master of Music Degree from Westminster Choir College of Rider University and completed his Doctor of Musical Arts Degree at the University of Michigan. He was inducted into Pi Kappa Lambda (National Music Honor Society) in 1999 and was awarded a grant from the Theodore Presser Foundation in 2001, upon the recommendation of the Faculty Council for Graduate Studies at the University of Michigan. The Presser Foundation grant funded Elsbernd’s dissertation project on the music of Jan Adam Reincken. His principal teachers include William Kuhlman, Eugene Roan, James Kibbie, and Marilyn Mason. Additional studies were completed with Harald Vogel at the North German Organ Academy. Elsbernd has served terms as Repertoire and Standards Chair for the South Dakota ACDA, District Convener and Chapter Dean for the South Dakota Chapter of the American Guild of Organists (AGO), and is currently member-at-large of the Central Iowa Chapter AGO board. He has made concert appearances with Boston Brass, Winnipeg Philharmonic Choir, Michigan Sinfonietta Orchestra, and the choirs of South Dakota State University. He has three hymn-based compositions published by Alliance Publications, Inc. Elsbernd resides in Waukee, Iowa, with his wife, Nichole Colsch, and their two children, Ethan and Abigail.
Logan Skelton, piano University of Michigan, Ann Arbor, Michigan
Logan Skelton is a much sought-after pianist, teacher and composer whose work has received international critical acclaim. As a performer, Skelton has concertized widely in the United States, Europe and Asia and has been featured on many public radio and television stations including NPR's "Audiophile Audition," "Performance Today," "All Things Considered," and "Morning Edition," as well as on radio in China and national television in Romania. He has recorded numerous discs for Centaur, Albany, Crystal, Blue Griffin, Equilibrium, Supertrain, and Naxos Records, the latter two consisting of collaborations with fellow composer-pianist William Bolcom. He has been a juror for many international piano competitions. Skelton regularly appears in such festival settings as Gina Bachauer, Amalfi Coast, Gijón, Eastman, Tunghai, Chautauqua Institution, American Romanian, Eastern, New Orleans, Poland International, Indiana University, Hilton Head Island, and the Prague International Piano Masterclasses. He is a popular presenter at music teacher organizations including numerous appearances at MTNA national conventions and EPTA World Piano Conferences, as well as serving as Convention Artist for state conventions in New York, Illinois, Michigan, Louisiana, North Carolina, Wyoming, Indiana, Oklahoma, Ohio, and Iowa. Moreover, he has given countless performances and masterclasses at colleges and conservatories throughout the world. He is a frequent juror for international piano competitions. His Centaur Records compact disc, of all 20th century American solo piano music, is titled American Grab Bag: Piano Music of Our Time. American Record Guide described this as a “fascinating recording,” commenting on Skelton’s “superb, wonderfully subtle and elegant playing … Bravo!” As a composer, Skelton has a special affinity for art song, having composed nearly two hundred songs, including numerous song cycles, many of which have been recorded commercially and performed internationally. Critics have noted the close fusion of text and music in Skelton’s songs, how words are “… illuminated with brilliance and deep emotional power,” American Record Guide. In Fanfare magazine reviews, Skelton as a composer of song has been singled out for his ability to “… plumb the depths of emotion … these are exquisitely crafted art songs in the American tradition … we are in the hands of someone who lives and breathes song.” A devoted teacher himself, Skelton has been repeatedly honored by the University of Michigan, including in 2003 the Harold Haugh Award for excellence in studio teaching, and most recently in 2017 with the Arthur F. Thurnau named professorship, among the highest honors given to faculty members at the university. Skelton’s own piano students and former students have won awards in many national and international competitions including Hilton Head, San Antonio, Cincinnati World, Washington, Bartók-Kabalevsky-Prokofieff, Fischoff, Jacob Flier, Iowa, Frinna Awerbuch, Eastman, Crescendo, Dallas, Missouri Southern, Los Angeles Liszt, Wideman, Concorso Internazionale di Esecuzione Musicale, Schimmel, Liszt-Garrison, Grieg Festival, Del Rosario, Beethoven Sonata, Ithaca, Piano Arts, Heida Hermanns, Dubois, Schmidbauer, Peabody Mason, Janáček, Seattle, Kingsville, New York, Oberlin, Idyllwild, as well as numerous Music Teachers National Association national competitions. His former students hold positions of prominence in music schools and conservatories throughout the world. He has served on the faculties of Manhattan School of Music, Missouri State University, and is currently Arthur F. Thurnau Professor of Piano and Director of Doctoral Studies in Piano Performance at the University of Michigan.
ISU Faculty:
Janci Bronson, class piano & piano pedagogy
Mei-Hsuan Huang, piano
Tin-Shi Tam, carillon
Miriam Zach, organ and harpsichord
Schedule of Events
* All events are free admission unless otherwise noted.
Friday, September 6
3:00 PM - 5:00 PM | Private Lessons with ISU faculty: carillon, piano, harpsichord and organ Fee: $40 for 45-minutes lesson. Seats are limited. For information, contact Dr. Mei-Hsuan Huang |
5:00 PM - 6:00 PM | Organ Master Class Michael Elsbernd Martha-Ellen Tye Recital Hall (Music Hall Room 140) |
6:00 PM - 6:30 PM | Lecture-Recital: Eastern European Organ and Harpsichord Music by Women Composers during the period of Soviet Socialist Realism (1932-1988) Music of Sofia Gubaidulina, Erzsébet Szönyi, Ruth Zechlin, Vitezslav Novák, Arvo Pärt, Jan Zach. Miriam Zach Martha-Ellen Tye Recital Hall (Music Hall Room 140) |
6:30 PM - 7:15 PM | Pre-Concert: Program featuring ISU Piano and Instrumental students Music Hall Lobby |
7:30 PM - 8:30 PM
| Opening Concert: Program - LIVE WebCast* featuring ISU Keyboard faculty and students, and the winning composition of the 2019 Carillon Composition Competition - Joey Brink: dance beneath the moon (carillon duet) Martha-Ellen Tye Recital Hall (Music Hall Room 140) *Tickets at door: $15, Students Free |
8:30 PM | Reception Music Hall Lobby |
Saturday, September 7
9:30 AM - 10:50 AM | Piano Master Class Logan Skelton Martha-Ellen Tye Recital Hall (Music Hall Room 140) |
11:00 AM - 11:50 AM
| Lecture: From Svon to Carillon - Three centuries of Bell Culture in Russia Saint-Petersburg was built by Tsar Peter the Great as a new city in 1703 on the banks of the river Neva. The plan of the town was inspired by the city of Amsterdam in The Netherlands, replicating its canals, the splendid façades and its carillons. Under the reigns of Peter the Great and his daughter Elisabeth, five carillons were installed in an attempt to create a modern Western city in a medieval Russia. For centuries Saint-Petersburg was the only place in the country with carillons. Meanwhile, the traditional chiming was continued in the rest of Russia as part of the rites of the Orthodox Church. During the 19th century, carillons in Saint-Petersburg were neglected and one by one disappeared except for the one in the Saint-Peter-and-Paul-cathedral, the mausoleum of the Tsar family. That instrument remained and only played automatically. The revolution of 1917 made an end of the traditional orthodox chiming and resulted in the disappearance of many church bells. With the reopening of East-Europe to the West at the end of the 20th century, both traditions revived. Churches were restored to their original function and slowly many bell-towers were refurbished with new peals. Jo Haazen, former director of the Royal Carillon School in Mechelen, started two projects to renew the carillon tradition in Saint-Petersburg. The first attempt to restore what was left of the carillon in the Saint-Peter-and-Paul-cathedral did not work out, as the tuning of those 18th century bells was too inaccurate. In continuation of the project, a brand new instrument in concert pitch was built by a Dutch bell-foundry. The carillon was donated by Flanders on the occasion of the 300th anniversary of Saint-Petersburg. In addition, a second instrument was installed in the premises of the palace of Peterhof. Since then, many excellent young Russian carillonneurs were trained at the State University of Saint-Petersburg under the tutelage of Jo Haazen. |
12:00 PM - 1:00 PM
| Lecture - Recital: The Brotherhood of Peoples - Folk Styles in the Piano Music of Bela Bartok This lecture-recital presents performances of selected piano music of Béla Bartók in combination with recorded excerpts of actual folk music. Many pianists can hear that folk influences abound in Bartók’s music, but relatively few can identify anything in particular. The focus is on highlighting and naming specific folk elements that Bartók used in his own compositions (Hungarian parlando rubato, Hungarian empo giusto, Romanian colinda, Ukranian Kolomeyka, Bulgarian rhythm, Serbo-Croatian diaphonic singing, Arabic, etc.). By so doing, Bartók’s own creativity, imagination and artistic transforming power in synthesizing folk and fine art becomes increasingly clear and apparent. Such a compositional approach was an expression of Bartók’s fundamental vision of humanity, what he referred to as “The Brotherhood of Peoples.” |
2:00 PM - 2:45 PM | Carillon Recital Koen Cosaert, guest carillonneur Campanile, Central Campus |
PROGRAM | |
Early music Air in Italian Style, TWV 55:a2 | Georg Philipp Telemann (1681-1767) arr. Koen Cosaert |
Allegro from Violin Concerto in A minor, BWV 1041 | Johann Sebastian Bach (1685-1750) arr. Koen Cosaert |
From the Opera Dardanus Tambourin I & II Round of the Sleep Rigaudon | Jean-Philippe Rameau (1683-1764) arr. Arie Abbenes |
Belgian carillon music Preludium in d |
Jef Denyn |
Fairy Tale on the Name “Fabiola” | Kristiaan Van Ingelgem (b. 1944) |
Bell Canto | Geert D’hollander (b. 1965) |
Music for an Early Spring Morning | Koen Cosaert (b. 1963) |
Opera favorites Intermezzo from Cavaleria Rusticana |
Pietro Mascagni |
Tema di Musetta from La Bohème | Giacomo Puccini (1858-1924) arr. Koen Cosaert |
Meditation from Thais | Jules Massenet (1842-1912) arr. Erik Vandevoort |
2:45 PM - 3:30 PM | Campanile Tours Central Campus |
3:30 PM - 4:30 PM | The 31st Annual Organists of Iowa: Program Michael Elsbernd, guest organist Martha-Ellen Tye Recital Hall (Music Hall Room 140) * sponsored by the Sukup Family of Sheffield, Iowa |
4:30 PM - 5:30 PM | Social Time Music Hall Lobby |
5:30 PM - 7:00 PM
| Piano Solo Recital: Program Logan Skelton, guest pianist Martha-Ellen Tye Recital Hall (Music Hall Room 140) *Tickets at door: $30, Students Free |